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Friday, April 01, 2005Saturday's weather in Cleveland: High: 42 Rain/Snow/Wind Agh!!!! See you Monday. If we're not stuck in a snowdrift.
Thursday, March 31, 2005Image of the Day ![]() The one good thing to come out of the whole Schiavo debacle is the focus on living wills. The Wall Street Journal has a chart which shows each state's procedure. Another chart to see is the bureaucratic nightmare into which copyright law has transmogrified. That was a really weird sentence, but the chart is even stranger. For those librarians sick of trying to figure out such things, why not consider an alternative career? I am still trying to find a way to be a full-time genealogist. Who eats. The new Life of Books weblog says that "the philosophy of the blog is that the future will actually end up looking a lot like today." The futurist in me rails at this. The pragmatist grudgingly agrees. If you'd rather explore the past than argue about the future, this Book of Days is fascinating. Did you know Haydn was born on this day? We leave for Cinema Wasteland tomorrow morning, so there will probably be no updates until Monday. (Our hotel allegedly has free internet access, though, and we're bringing a laptop, so you never know.) Have a spiffy weekened, everyone!
Wednesday, March 30, 2005![]() There we are on the Cinema Wasteland website. Stop by and see us this weekend! We will probably be skittering around the place instead of staying at the booth like we usually do. (We're trying this new thing called socializing.)
Tuesday, March 29, 2005Image of the Day ![]() EXTERMINATE! EXTERMINATE!
Monday, March 28, 2005We got a very cool email over the weekend from a very cool artist - Rain of Broken Umbrella. (I still owe her email back; part of the weekend was spent reliving the '80s via Duran Duran.) Other interesting artistic endeavors: The Gates: An Experiment in Collective Memory explores the effect of art in an electronic world, and also has a blog; Kamiel Proost uses dollar bills as canvases; and Copy-Art makes art available and accessible to anyone who wants to use it (or contribute). Early Modern Texts provides a sort of English-to-English translation for modern readers. It's an interesting concept, and also (if inadvertently) provides a springboard for discussion on whether "updating" a work takes away from the original intent.
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